Welcome to my weekly fashion blog post. Each week I will discuss a female garment, fashion trend or influencer from the age of photography (1840s through the 20th century). My goal is to educate family researchers and genealogists about the clothing worn by our ancestors. Dating photographs is an issue we all struggle with as family archivists. Additionally, anyone who writes about their family’s history should be aware of the environment in which their ancestors lived. Period clothing is an important part of that environment from how it affects a person’s movement to their overall lifestyle. This week I introduce you to the Bolero and Zouave jackets.
A Dictionary of Costume and Fashion: Historic and Modern describes the Bolero jacket as a “short jacket no longer than normal waistline, with or without sleeves. Worn open in front over bodice or blouse. Spanish in origin.” In comparison, the Zouave jacket is described as a “woman’s short jacket with rounded front, made in imitation of [the] jacket of [the] Zouave uniform. Sometimes sleeveless.” The descriptions of the two types of jackets are quite similar. For this post it is not important to know the subtle differences between the two styles but rather that the style of jacket was popular during the Civil War years. One of the reasons behind the popularity was the use of a Zouave style jacket in many volunteer units. The French Zouaves were an elite military force during the nineteenth century. Because the Civil War was an overwhelming influence on the lives of all Americans (including women), ladies’ fashion adopted some military characteristics, including the use of a Zouave style jacket. While the construction of the garment could be quite simple, existing examples of these garments show extensive embroidery and trimmings.
Many of the popular ladies’ magazines published fashion plates and patterns for Zouave jackets. Godey’s Lady’s magazine published many versions of the jacket, including this early one from 1859. Below are some plates and patterns from other periodicals of the day.
The Library of Congress’ collection of Prints and Photographs has many examples of Zouave jackets, including these two photographs from between 1860-1865.
Costume historian and technician, Quinn M. Burgess, wrote an excellent piece on her website about the Bolero and Zouave jackets.
Brief article from the Smithsonian on the influence of the Zouave on Union and Confederate uniforms.
The Newberry Library and the Terra Foundation have an online exhibit “Home Front: Daily Life in the Civil War North.” They briefly discuss the Zouave soldiers in the Civil War and their influence on fashion.
While searching for additional images, I came across an online exhibit from the University of Maryland titled “Woman on the Border: Maryland Perspectives of the Civil War.“
Reddish brown silk dress, American, 1860-1865. Metropolitan Museum of Art. Accession no: C.I.50.105.16a, b
White with black embroidery promenade dress, American, 1862-1864. Metropolitan Museum of Art. Accession no: C.I.60.6.11a, b
Yellow pattern silk dress with green trim, French, 1862. Metropolitan Museum of Art. Accession no: 1973.244.1a–c
Thomas J. Watson Library, The Metropolitan Museum of Art, Women 1862, plates 92
Thomas J. Watson Library, The Metropolitan Museum of Art, Women 1863, plate 8
Unidentified woman, c1860-1863. Library of Congress Prints and Photographs Collection. Call number: LOT 6286, p. 29
Unidentified soldier with two women, c1861-1865. Library of Congress Prints and Photographs Collection. Call number: AMB/TIN no. 2703
Picken, Mary Brooks. A Dictionary of Costume and Fashion: Historic and Modern. Mineola, New York: Dover Publications, Inc. 1985.
©2015 Deborah Sweeney
Post originally found: https://genealogylady.net/2015/09/06/fashion-moments-bolero-zouave-jackets/